Disney TV
(eBook)

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Average Rating
Published
Wayne State University Press, 2004.
Format
eBook
ISBN
9780814337639
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

J. P. Telotte., & J. P. Telotte|AUTHOR. (2004). Disney TV . Wayne State University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

J. P. Telotte and J. P. Telotte|AUTHOR. 2004. Disney TV. Wayne State University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

J. P. Telotte and J. P. Telotte|AUTHOR. Disney TV Wayne State University Press, 2004.

MLA Citation, 9th Edition (style guide)

J. P. Telotte, and J. P. Telotte|AUTHOR. Disney TV Wayne State University Press, 2004.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID602364dd-12e9-250f-1598-13f2a6911d67-eng
Full titledisney tv
Authortelotte j p
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-22 01:29:28AM

Book Cover Information

Image Sourcehoopla
First LoadedNov 7, 2023
Last UsedNov 7, 2023

Hoopla Extract Information

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    [synopsis] => This year marks the 50th anniversary of the Walt Disney Company's network television series Disneyland/The Wonderful World of Color. The series, part of Walt Disney's quest to re-create American entertainment, premiered October 27, 1954 on ABC and was the longest-lived program in television history. Over the years, Walt Disney's visions have evolved into family-oriented cinema, television, theme parks. From the lovable Mickey Mouse and Donald Duck to magical places like Frontierland, Disneyland/The Wonderful World of Color generated some of the most popular fads of the era. 

In Disney TV, J. P. Telotte examines the history of the Disney television series while placing it in context-the film industry's reaction to television in the post-World War II era, the Disney Studios' place in the American entertainment industry, and Walt Disney's dream to create the modern theme park. Telotte's guiding principle in this examination is to illustrate how Disney changed the relationship between cinema and television and, perhaps more importantly, how it affected American culture.

The conciseness of Telotte's book is a major advantage over other leading Disney scholarship. Detailed, without including minutia, Telotte provides the reader with the key issues that surrounded the development of the Disney phenomenon. This book will attract a wide array of readers--scholars of television, media, and film studies, popular culture students, and all those touched by the magic of Disney.
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